NWT Announces 2010-2011 Season

August 6th, 2010 § 0

Near West Theatre is proud to announce
The 2010-2011 Season!

Fall Intergenerational Musical  WILLY WONKA

November 19- December 5, 2010
Auditions*: September 7-9, 2010 (Ages 7- up)

Music and lyrics by Leslie Bricusse and Anthony Newley
Adapted for the stage by Leslie Bricusse and Tim McDonald
Based on the book “Charlie and the Chocolate Factory” by Roald Dahl

Roald Dahl’s timeless cautionary indictment of greed, the story of the world-famous candy man and his quest to find an heir comes to life in this musical stage adaptation of Charlie and The Chocolate Factory.

One evening, the village paper’s headline states that Wonka is holding a contest, in which five Golden Tickets are hidden under the wrappers of his candy bars.   The contest becomes a worldwide mania, with people resorting to increasingly desperate and unscrupulous measures, to find the tickets. The first four are found by four hard-to-like children: the gluttonous Augustus Gloop, spoiled Veruca Salt, gum-addicted Violet Beauregarde, and television-obsessed Mike Teavee.  Our hero, Charlie, one cold night in the snow, magically, finds the 5th! This tale is a frothy, thoughtful blend of scary and fun for children and adults.

Hit songs include “Pure Imagination” and “The Candy Man” and featured, of course, are those mysterious factory workers known as… the Oompa Loompas!

klamor

A two week winter Musical Theatre Camp

January 16-28, 2010

Ages 9-12 Fee: $50

Spring Older Teen & Adult Musical

into the woods
May 6-22, 2011
Auditions*: February 22-24, 2011 (Ages 16 & Up)

Music and lyrics by Stephen Sondheim
Book by James Lapine
Originally directed on Broadway by James Lapine
Orchestrations by Jonathan Tunick
An ambivalent Cinderella? A blood-thirsty Little Red Riding Hood? A Prince Charming with a roving eye?  A Witch…who raps? They’re all among the cockeyed characters in James Lapine and Stephen Sondheim’s fractured fairy tale. When a Baker and his Wife learn they’ve been cursed with childlessness by the Witch next door, they embark on a quest for the special objects required to break the spell, swindling, lying to and stealing from Cinderella, Little Red, Rapunzel and Jack (the one who climbed the beanstalk). Everyone’s wish is finally granted, but the consequences of their actions return to haunt them later, with disastrous results. What begins as a lively irreverent fantasy becomes a moving lesson about community responsibility and the stories we tell our children.

Summer Youth Theatre
miss saigon

July 22-August 7, 2011
Auditions*: May 24-26, 2011 (Ages 13 entering high school - 19)

Music by Claude-Michel Schonberg
Lyrics by Richard Maltby Jr. and Alain Boublil
Adapted from the original French lyrics by Alain Boublil
Additional material by Richard Maltby Jr.
Orchestrations by William D. Brohn
Originally produced on the stage by Cameron Mackintosh
*This production licensed by Josef Weinberger Ltd. on behalf of Music Theatre International and Cameron Mackintosh Ltd.*

Miss Saigon brings Puccini’s Madame Butterfly to post-millennium America in a moving testament to the resiliency of the human spirit.  In the final chaos of the Vietnam War, an American soldier and a Vietnamese girl fall in love, only to be separated during the fall of Saigon. This is an intimate story of love, war, loyalty, survival and a mother’s drive to give her child a future of promise.  Raw and uncompromising, Miss Saigon is an intense experience of the losses suffered and the sacrifices made in a fearful world using violence to achieve peace.  Songs include:  “The Movie In My Mind,” “Sun & Moon” and “The Last Night of the World.”
*= Auditions for Roald Dahl’s Willy Wonka & Miss Saigon will be held at

Near West Theatre’s performance location:
St. Patrick’s Club Building, 3606 Bridge Ave., 3rd Fl.** in Ohio City.
Audition location for Into the Woods is TBD.

For more information on auditions, visit www.nearwesttheatre.org.
* *= Currently, our 3rd floor location is not accessible to individuals in wheelchairs or those who have difficulty with stairs.

For more information on the
Near West Theatre 2010-2011 Season,
visit www.nearwesttheatre.org after August 9.

Roald Dahl’s Willy Wonka, Into The Woods and Miss Saigon are presented through special arrangement with Music Theatre International (MTI).  All authorized performance materials are also supplied by MTI.  421 West 54th Street, New York, NY 10019   Phone: 212-541-4684  Fax: 212-397-4684  www.MTIShows.com

Marlin Kaplan’s Roseangel adds tacos & coolness to Gordon Square

August 2nd, 2010 § 0

Joe Crea, The Plain Dealer Joe Crea, The Plain Dealer

Restaurateur Marlin Kaplan insisted that his latest restaurant would open in July. Apparently, skepticism crept into my voice when I pressed the point — remodeling and openings are capricious undertakings — because Kaplan was all “No, no, watch me.” You win, Marlin. His Roseangel — the down-priced reinvention of partner Rosita Kutkut’s former La Boca, not only opened close to target, it pretty much hits the bull’s-eye. It’s at 5800 Detroit Ave., Cleveland, on the edge of Cleveland’s Gordon Square area, across from Happy Dog, if you need a cool landmark.

Tacos, salsas and a modest selection of sides are the big deals here. Order one of each and it’ll set you back under $11 (though you’ll probably want seconds, and maybe a beer; brews range from $2 to $5.50). Tacos, built on hand-shaped and griddled tortillas, are heaped with tasty fillings, including a hauntingly delicious seared tuna with artichoke hearts and a just-fiery-enough grilled hanger steak version topped with crisp onions and a smoky chipotle mayo — to name just two of the 17 varieties. They are small but hefty hand-to-mouth fare, $4.25 each, but bring along friends and order a platter of eight for $30. There are good chips and really good salsas (one evening a cunning cantaloupe-and-cucumber combo) plus fine guacamole (at $7, a splurge). Oh, and very seductive Sauza and triple sec margaritas.

The rooms are equally seductive, from the sexy bar to the center room tarted up in magenta croc-print wallpaper, and the expanded patio. Tacos, grandparents to today’s “wraps,” are eminently tactile, and Kaplan wanted to carry that sensuous style into the environment.

“I feel there should be a seamlessness between where you eat and what you eat,” he says. “And I was going for a way different feeling here. I wasn’t really building a restaurant, per se. This is a hybrid, a lot like Happy Dog isn’t your usual neighborhood bar.”

True on both counts. Here’s to fitting neighbors. Coolness now reigns at West 58th Street and Detroit Avenue. 216-961-5800.

[Cleveland.com Article] [PDF]

NWT proudly presents ‘RENT School Edition’

July 21st, 2010 § 0

Visit NWT homepage for complete information

July 23, 24, 29, 30, 31,

August 6, 7 & 8

Thurs., Fri. & Sat. @ 7:30 pm

Sun. @ 3:00 pm


Tickets: $8 Adults
$6 Children (12 & under)

Performance Location:

St. Patrick’s Club Building
3606 Bridge Ave.- 3rd Fl.
Cleveland, Ohio

Puchase Tickets

Performed entirely by students
Book, music and lyrics by Jonathan Larson
Musical arrangements Steve Skinner
Original concept/additional lyrics Billy Aronson
Music supervision and additional arrangements Tim Weil
Dramaturg Lynn Thomson
RENT was originally produced in New York by New York Theatre Workshop and on Broadway by Jeffrey Seller, Kevin McCollum, Allan S. Gordon and New York Theatre Workshop

July 23 – August 8, 2010

“There’s only us, there’s only this.
Forget regret, or life is yours to miss.
No other road, no other way. No day, but today.” – Mimi

Jonathan Larson’s Pulitzer Prize winning Broadway musical based loosely on Puccini’s opera La Bohème. In its examination of the lifestyles of the young men and women who inhabit the slums of the Village, the play becomes a celebration of life and the heroic struggle to survive.

The day Jonathan Larson (creator of Rent) died….
“The audience was reaching out to the cast. They were crying and cheering. By the second act, it was no longer contained. It was the full show run full-out. If emotion could have become a physical force, the roof would have blown off, the weather would have changed. The second act ended. There was a huge ovation, the cast slowly left the stage, and the audience stayed in the theater. No one was sure what to do. The cast returned and sat down in the front row. Finally, a single voice called from the audience, ‘Thank you, Jonathan Larson,’ which brought the evening’s loudest, final burst of applause.”

To purchase tickets, call: 216-961-6391

Fall in Love… in Gordon Square

July 17th, 2010 § 0


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Discover GSAD Day June 12th, 2010 Event Overview Video

July 16th, 2010 § 0

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The History of Gordon Square Skit – Discover Gordon Square Arts District Day 2010

July 16th, 2010 § 0

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Gordon Square Theatre gets $200,000 from state for asbestos removal

July 14th, 2010 § 0

Dale Omori, Plain Dealer file photographDancers rehearse at the Gordon Square Theatre in 2005. The Ohio Department of Development today said it was providing $200,000 for removal of asbestos from the theater's ceiling.

CLEVELAND, Ohio — Federal stimulus money will help with the continued renovation of the Cleveland Public Theatre, in Cleveland’s Detroit-Shoreway neighborhood.

The Ohio Department of Development said today that $200,000 from a new fund to clean up and revitalize historic sites is headed to the theater, for asbestos removal.

The theater is part of the historic Gordon Square Arts District, which has seen a multimillion-dollar redevelopment in recent years.

The new money should pay for asbestos removal in the ceiling of Gordon Square Theatre, one of three performance venues that constitute Cleveland Public Theatre, said general manager Denis Griesmer.

The work is scheduled from January to March, when the Gordon Square Theatre is typically closed, Griesmer said.

The project will not only make the building safer, but will also help in the job-generating restoration of the neighborhood, state development Director Lisa Patt-McDaniel said in a news release.

[Original Article on Cleveland.com] [PDF]

Cleveland Public Theatre announces its cool season for 2010-11

July 2nd, 2010 § 0

Published: Friday, July 02, 2010, 2:31 PM     Updated: Tuesday, July 06, 2010, 3:34 PM
Tony Brown, The Plain Dealer
cpt.jpgVINCENT SACCO This scene makes it look as though it might be called “Tony n’ Tina’s Shotgun Wedding,” but it’s actually “Conni’s Avant Garde Restaurant.” And even though it will be performed with a five-course meal next season at Cleveland Public Theatre, Miss Conni Convergence and the Avantgardists dare you to call it dinner theater.

Raymond Bobgan is cool. And five years into his executive artistic directorship of Cleveland Public Theatre, he just keeps getting cooler, mixing sound business decisions with risky artistry at the city’s leading dispenser of cool theater. After finishing the 2009-10 season with the strongest one-two programming punch of the year in Cleveland (“Open Mind Firmament” and “Wanderlust”), Bobgan has just announced the city’s most promising-sounding 2010-11 season. Dig all this:

• Four world premieres, including “Don’t Call Me Fat” by Turkish playwright Ozen Yula and “My Dog Barking” by Cleveland Heights scribe Eric Coble.

• Four Midwest premieres: The second production anywhere (after New York’s Public Theatre) of Pulitzer Prize-winning Suzan-Lori Parks’ latest; an avant-garde dinner-theater (!) offering; and a play co-authored by a creator of the upcoming Broadway musical “Spider-Man.”

• And a beefed-up new works development program to join CPT’s already strong Big Box and Little Box series, including a remount of Chris Seibert and Bobgan’s critically acclaimed one-woman tour de force, “Cut to Pieces,” which will then tour.

Bottom line: While most other theaters in the area are sticking to the reduced schedules and calculatedly mainstream productions instituted to cope with the recession, Bobgan and CPT are out at high noon on Detroit Avenue at West 65th Street with avant-garde guns blazing.

Meanwhile, in his spare time, Bobgan is also overseeing CPT’s partnership in developing the Gordon Square Arts District, including the ongoing renovation of CPT’s expansive campus.

So, take a breath and get a gander at what’s up next season at 6415 Detroit. If you want more information, go to cptonline.org or call 216-631-2727. Or you can catch Bobgan re-caffeinating himself several times a day next door to the theater at Gypsy Beans & Baking Co.

Shows open on a Thursday and close on a Saturday unless otherwise noted.

Saturday, Sept. 11: Pandemonium 10: The West Wild Side. CPT’s annual wacky arts, food and beverage fundraiser comes of age.

Sept. 30-Oct. 16: “The Book of Grace.” CPT regular Sheffia Randall Dooley directs Parks’ multilayered confrontation between Buddy, a veteran of the Iraq war, and his estranged father, a Desert Storm vet who now works as a border guard.

Oct. 7-30: “Don’t Call Me Fat.” Yula, who’s at CPT and Cleveland State University on a grant from the Cleveland Foundation, directs his satire about an obese man’s journey from sickbed to talk-show fame.

Oct. 14-30: “Kill Will.” Playing off the title of a Quentin Tarantino movie, husband-and-wife writers Josh Brown and Kelly Elliott edit the Shakespeare canon down to one evening of the Bard’s best fights and murders. Veteran CPT hand Alison Garrigan directs the world premiere.

Friday, Oct. 22 and Sunday, Oct. 24: “Il Tabarro.” CPT collaborates with Opera Per Tutti, a Northeast Ohio company whose name is Italian for “opera for all,” on Puccini’s tale of love, desperation and violent jealousy. Scott Skiba directs.

Nov. 5-7: Y-Haven Project. CPT stages the 11th annual collaboration with residents of an inner-city Cleveland center for homeless men in treatment for drug addiction.

Nov. 11-Sunday, Nov. 21: Little Box series. Staged readings of new plays by local playwrights are followed by audience discussions.

Wednesday, Dec. 1-18: “Conni’s Avant Garde Restaurant.” CPT presents an audience-participation dinner-theater show (a la “Tony n’ Tina’s Wedding,” but way weirder) served up by Miss Conni Convergence and the Avantgardists.

Friday, Jan. 14-Sunday, March 6: Big Box series. Eight weekends of new works as CPT opens its doors to area artists.

March 3-19: “Darwinii.” Glen Berger, now at work with “The Lion King’s” Julie Taymor and U2′s Bono on “Spider-Man,” collaborates with CPT regular Brett Keyser on a play about a thief who’s convinced he’s the great-great-great-bastard-grandson of Charles Darwin.

Friday, March 11-Sunday, March 27: NEOMFA Playwrights Festival. Three new works by students in the Northeast Ohio MFA Creative Writing Program, a collaboration of four area schools.

Thursday, March 24: Women’s Voices. The 12th annual female version of the Y-Haven Project, a collaboration with the Elyria YWCA’s Women’s Campus Project.

April 7-23: “Fever/Dream.” CPT staffer Beth Wood directs the Midwest premiere of Sheila Callaghan’s update of 17th-century Spanish playwright Pedro Calderon de la Barca’s “Life Is a Dream.”

April 7-23: “I Hate This” and “And Then You Die.” Local playwright, actor and director David Hansen presents his two previously produced one-man shows (one about personal loss and the other about personal victory) in repertory. Directed by Garrigan.

April 21-May 7: “Insomnia.” Holly Holsinger (Bobgan’s wife) collaborates with Karin Randoja and Seibert on a new play, starring Holsinger and Seibert and directed by Randoja, about a woman on the brink of something like death, mental collapse or self-discovery.

May 5-Sunday June 5: DanceWorks. Five companies perform world premieres in CPT’s 11th annual dance showcase.

May 12-28: “My Dog Barking.” Jeremy Paul, on loan from Theater Ninjas, directs the latest from Coble, about two lonely people’s lives taking a bizarre turn when a starving coyote appears at their doors.

May 26-June 4: “Cut to Pieces.” Bobgan and Seibert restage their shattering 2009 multimedia adaptation of the Persephone myth to lay bare Seibert’s soul.

Dates to be announced: Developing works. They include “My Hemisphere and Your Hemisphere Live Across the Street,” “People4Change” and Bobgan’s own “Rusted Heart Broadcast,” which he described as “a radical new play with an ensemble cast [that] re-examines religion, art and community in the heart of America.”

And, “I think it takes place in a tent and travels like a revival.”

How cool is that?

[Original Article on Cleveland.com] [PDF]

WCPN Around Noon: Gordon Square Barbecue Call-In

June 30th, 2010 § 0

Original Article

Dee Perry welcomes friendly Gordon Square restaurant rivals Marlin Kaplan of Luxe and Eric Williams of Happy Dog for a special barbecue call-in show, as we get ready to grill for the 4th of July holiday. Listeners can call to either 216-578-0903 or toll-free 1-866-578-0903 or email our chefs with your cooking questions or suggestions. 

Download the MP3 of the Show [MP3]

Additional Information

Marlin Kaplan
Luxe
Eric Williams
Happy Dog

2010 Discover Gordon Square Arts District Day Photos

June 18th, 2010 § 0

Photos from June 12th, Discover Gordon Square Arts District Day Gallery

Photos from June 11th, ‘Made in the 216′ 2010 store opening & ‘Out of Place’ Midnight Show

View and share these photos on Gordon Square Arts District Facebook page.